Descargar AudioLibro Italian Frescoes: The Early Renaissance 1400-1470 de Steffi Roettgen

Descargar AudioLibro Italian Frescoes: The Early Renaissance 1400-1470 de Steffi Roettgen año 1996

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  • Nombre del audiolibro: Italian Frescoes: The Early Renaissance 1400-1470
  • Autor del audiolibroSteffi Roettgen
  • Fecha de publicación: 18/3/1996
  • EditorialABBEVILLE PUB.
  • IdiomaInglés
  • Género o ColecciónArte
  • ISBN: 9780789201393
  • Valoración del audiolibro: 8.69 de un máximo de 10
  • Votos: 97
  • Autor(a) de la reseña: Paulo Sauceda
  • Reseña valorada con una puntuación de 7.17 de un máximo de 10
  • Fecha reseña: 10/8/2018
  • Duración: 5 horas con 43 minutos (232 MB)
  • Fecha creación del audiolibro: 30/05/2018
  • Puedes escuchar el audiolibro en estos formatos: WMA - MP3 - MPEG-4 ALS - FLAC - MPEG4 - MPC - AU - WAV (compresión TAR.BZ2 - TZO - ZIP - RAR)
  • Incluye un resumen PDF de 54 páginas
  • Duración del resumen (audio): 40 minutos (27 MB)
  • Servidores habilitados: Google Drive - FreakShare - KATCR - Torrent - Mediafire - MEGA - MyUpload - Zippyshare - Uploaded
  • Encuadernación del libro físico: Tapa Dura
  • Descripción o resumen: Certain Italian fresco cycles, notably the Brancacci Chapel in Florence by Masaccio, Masolino, and Filippino Lippi, are well known. Others, such as Piero della Francesca's work in Arezzo and Benozzo Gozzoli's Chapel of the Magi in Florence, have been reproduced countless times. Yet no publisher - until now - has attempted to gather together and document in extensive photographs the essential fresco cycles of the early Italian Renaissance. The list of works covers the regions of Italy, from the Alpine mountain areas to Puglia, with an emphasis on Tuscany and Florence, the artistic center that gave life to the Renaissance. Italian Frescoes: The Early Renaissance, 1400-1470 opens with a concise introductory text discussing various aspects of fifteenth-century fresco painting: artists, patronage, cultural and historical conditions, technical methods, and questions of local tradition. The central section of the book examines twenty-one fresco cycles, each representing a crowning achievement in this field. A descriptive and interpretive essay introduces each cycle and is followed by a series of full-page and double-page color plates - many of them new photography of recently restored frescoes - covering the entire work. This first comprehensive survey in recent times of the surving fresco cycles of the early Renaissance, this path-blazing work is an extraordinary achievement in scholarship and publishing.

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