Descargar AudioLibro Pictures and Popery: Art and Religion in England, 1660-1760 de Clare Haynes

Descargar AudioLibro Pictures and Popery: Art and Religion in England, 1660-1760 de Clare Haynes año 2006

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  • Nombre del audiolibro: Pictures and Popery: Art and Religion in England, 1660-1760
  • Autor del audiolibroClare Haynes
  • Fecha de publicación: 14/3/2006
  • EditorialSCOLARS PRESS
  • IdiomaInglés
  • Género o ColecciónArte
  • ISBN: 9780754655060
  • Valoración del audiolibro: 8.85 de un máximo de 10
  • Votos: 606
  • Autor(a) de la reseña: Teodorio Sapote
  • Reseña valorada con una puntuación de 7.84 de un máximo de 10
  • Fecha reseña: 2/9/2018
  • Duración: 1 hora con 5 minutos (43.5 MB)
  • Fecha creación del audiolibro: 09/06/2018
  • Puedes escuchar el audiolibro en estos formatos: WMA - WAV - MP3 - AIFF - AAC - MPEG4 - FLAC (compresión CBC - GZ - RAR - ZIP)
  • Incluye un resumen PDF de 6 páginas
  • Duración del resumen (audio): 4 minutos (3 MB)
  • Servidores habilitados: Torrent - FreakShare - Mediafire - Microsoft OneDrive - Zippyshare
  • Encuadernación del libro físico: Tapa Dura
  • Descripción o resumen: The part religion played in questions of national identity in early modern England is a familiar historical theme, yet little work has been done on how this worked culturally. Nowhere is this more visible than in the seeming contradiction of a militantly Protestant nation such as England, that had a high regard for Catholic art. It is this dichotomy, the tensions between art and anti-Catholicism, that forms the central investigation of this book. During the late seventeenth and eighteenth century, religious art was closely identified with idolatry, and the use of images was one of the most obvious markers of the boundary between Protestantism and Catholicism. This manifested itself in an unease about the status of the religious image in English society, which was articulated in religious tracts, anti-Catholic propaganda, polemical debate, court cases and numerous other places. In light of these attacks upon 'idolatry', the fact that a great deal of Catholic art was so highly regarded and sought after seems puzzling. By discussing English attitudes towards the works of Italian painters (including Raphael, Michelangelo and Domenichino) and the ways in which native artists sought appropriately Protestant ways of emulating them, this volume offers a fascinating perspective on the dichotomy that existed between English appreciation and disapproval of Catholic culture. By taking this cultural and artistic approach and applying it to the broader historical themes, a new and invigorating way of understanding religion and national identity is offered.

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