Descargar AudioLibro Rembrandt and the Female Nude de Eric Jan Sluijter

Descargar AudioLibro Rembrandt and the Female Nude de Eric Jan Sluijter año 2007

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  • Nombre del audiolibro: Rembrandt and the Female Nude
  • Autor del audiolibroEric Jan Sluijter
  • Fecha de publicación: 1/4/2007
  • IdiomaInglés
  • Género o ColecciónArte
  • ISBN: 9789053568378
  • Valoración del audiolibro: 8.49 de un máximo de 10
  • Votos: 539
  • Autor(a) de la reseña: Enriquez Valenciano
  • Reseña valorada con una puntuación de 7.22 de un máximo de 10
  • Fecha reseña: 24/8/2018
  • Duración: 5 horas con 30 minutos (224 MB)
  • Fecha creación del audiolibro: 17/07/2018
  • Puedes escuchar el audiolibro en estos formatos: WMA - MP3 - AC3 - MPEG4 - WAV - FLAC (compresión LZMA - ZIP - LZ - GZ - RAR - ALZ)
  • Incluye un resumen PDF de 39 páginas
  • Duración del resumen (audio): 26 minutos (19.5 MB)
  • Servidores habilitados: FileServe - JumpShare - Google Drive - Torrent - Box - Microsoft OneDrive - FreakShare
  • Encuadernación del libro físico: Tapa Blanda
  • Descripción o resumen: Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.

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